Mr Bennett & Dr Blower – January 2026

Presenting The FINAL CANON 1925-2025 selected by the `100Books Team’

We now have the first ever record high­light­ing Stoke-on-Trent’s lit­er­ary and pub­lish­ing leg­acy. The final List is ready fea­turing works by Pot­ter­ies-born authors pub­lished over the last 100 years, from poetry and nov­els, to mem­oirs, his­tory, sci­ence, philo­sophy and non-fic­tion works.

We found 89 of the 100 in the year-long research period – 13.01.25-31.12.25 – yet discovered over 150 Potteries-born authors who have been publishing since 1925. Found novels and poetry collections we did not know about, lots more that we did and are so pleased to have given attention to, including many first editions in the British Library that remain the only preserved copy in the UK.

There were some gaps in the canon where works could not yet be found, which we attrib­ute to the impact of the Second World War and its after­math. Other later gaps we cannot account for just yet. Many of the titles included on the list fea­ture works passed down through fam­ily gen­er­a­tions, as well as many local lit­er­ary texts which are held in the col­lec­tion at Stoke Archives.

The project has also show­cased how the region’s indus­trial her­it­age played a key role in the stor­ies that were born there, with many local authors basing their stor­ies in the city. It seems then that there was/is a clear appet­ite among the authors to pre­serve the city’s indus­trial her­it­age, high­lighted by a large num­ber of mem­oirs and his­tor­ical works pub­lished, and the many nov­els that use the city as a sub­ject or a back­drop.

Burslem had the highest per­cent­age of pub­lished authors, fol­lowed closely by New­castle, and although there were far more male authors than female (95 male in total com­pared to 55 female), the canon is bookended with pub­lic­a­tions from female authors. The list begins with Ida Mary Down­ing in 1925, with her poetry col­lec­tion Words, Pic­tures and Other Poems (pub­lished by Munns & Allen), while the novel Heartache for the Tram Girls writ­ten by Lynn John­son fea­tures 100 years later. We also found many of the works were also pub­lished loc­ally by JH Brookes; Webber­leys; Cas­sell & Co, and Etruscan pub­lic­a­tions, but many of the works were also self-pub­lished, par­tic­u­larly mem­oirs proving that it is not just a 21st century phenomena.

So, what happens now? Well, we are busy curating the list for the 100Bookshelf that will be on display in Stoke Archives from June. It is so important to us to have the physical books on display and accessible to browse and use to inspire future authorship. We did not wish for the list to disappear into the ether online and so will be hosting a series of events in June to celebrate and reference the work we have done and the literature that represents the city.

With sincere thanks to the following people without whom this project would not have succeeded: Arts Council England; Keele University; Stoke-on-Trent City Archives; Stoke-on-Trent Libraries; Higher Horizons, Staffordshire Libraries; The Stoke-on-Trent centenary team including Cllr Lyn Sharpe; The New Vic & New Vic Borderlines; Stoke Creates; Drop City Books; National Literacy Trust (Stoke Hub); Brampton Art Gallery & Museum; Prof. David Amigoni; Adam Blakemore; Catherine Burgass; Aidan Byrne; the team behind Byline Festival; Andy Cain; Amy Capewell; Stephanie Carty; Jonathan Davidson; Mark Deaville; Nick Degg; Michael Durrant; Alex Foulkes; Emily Galvin-Wilson; Gabriella Gay; Stuart George; Carol Gorton and the Arnold Bennett Society; Juliet Gyan; Terry Heath; Charlotte Higgins; Deb Hilditch; Liz Hulse; Robin Ince; Rebecca Jackson; Prof. Cynthia Johnson; Kerry Jones; Lorna Laidlaw; Prof. Clare Lees; Liz Lefroy; Natalie Linh Bolderston; Lou Minns; Emma Newman; Amanda Pover; Mel Sherratt; Susie Stapleton; Ant Sutcliffe; Jonathan Taylor; Laura Tonge; Debbi Voisey; Polly Wain; Scarlett Ward; Jerome Whittingham; Ikarah Woodvine and EVERYONE who sent an email, came to an event, suggested a book, took part in the Busk, attended a workshop, wrote for the anthology and supported the project. Thank you. Thank you. Thank you.

Come along to hear more about the project and browse the 100Bookshelf that showcases all our findings: